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In the rush of interrogations
Et la Maison-Blanche sous les gouvernements Eisenhower et Kennedy
elle transforme
se désaltère dans des saloons poisseux et
Cet objet est à vivre comme une œuvre de beauté et de douleur
Positive Illusions Guillaume Blot In the rush of interrogationsUsing CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedmans recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and