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se transmettrait aux humains avec un résultat aussi morbide qu’ahurissant
joueurs de balle et escrimeurs deviennent des motifs récurrents des photographies
voire même la remise en question de leurs moyens d'expression
pour ainsi dire
Situated mostly throughout Europe and the United States
Yes I Am bureau se transmettrait aux humains avecSoufiane Ababris desire to construct a historical family and a genealogy of queer kinships in "Bedwork Yes I Am" sees him conjuring up a pantheon of gay writers and artists whose intellect has changed the course of human history and development, despite their outsider status. Figures as disparate as Michel Foucault, Glenn Ligon, Allen Ginsberg, Jean Genet, and Andr Gide populate Ababris drawing series in the artists signature naf style, their
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