(jopappy and the sentence-makers are) eponymous as funk Mireille Gansel smudged lines from the past

smudged lines from the past turned with care into new forms through references to writers like Héctor Viel Temperley and Dante

Van het vroegste vers tot het allerlaatste

Intimate and erotic

reconfigured through the “vortex of experience” and the poet’s encounters with friends and strangers

over de moeilijke relatie met haar traditionele familie en haar afkeer van de zwarte macho militanten die zich tegenover gedragen als herboren koloniale heren

(jopappy and the sentence-makers are) eponymous as funk Mireille Gansel smudged lines from the pastmakalani bandele (jopappy and the sentence makers are) eponymous as funk is a frenetic multimedia jam session of discursive lyric arranged and produced by poems written in bandele's invented prose poetic form the unit. The form gets its inspiration from virtuoso pianist Cecil Taylor's groundbreaking 1966 album Unit Structures, insofar as it desires to embody the feel of collective improvisation encountered in Free Jazz as poetics. Through the