Confetti You Can Be the Last Leaf Following on from Wittgenstein 100

Following on from Wittgenstein 100 years later

You don’t get much more universal than death

I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world

Een verhaa

and as a research assistant in limnology

Confetti You Can Be the Last Leaf Following on from Wittgenstein 100Emmalea Russo By turns cinematic, cosmic, alchemical, and geometric, Confetti uses language to alter the boundaries between film and daily life. Against a backdrop of screens, personal relationships extend into a play of light to create a meditation on disposability and permanence. Confetti soaks up dirt, shimmers, and gets thrown up into the air, landing on the ground in strange piles.